![]() Notice the tabs for Compressor 1 and Compressor 2, along with the Parallel Mode switch. In mode 1, you get a traditional parallel compression, wherein you can balance between the compressed signal and the dry signal. In mode 2, you have two identical compressors that can be programmed independently, then mixed and balanced at the output. Usually you'd set one to a subtle amount of compression, then set two to something more aggressive. Not only that, but each compressor has four different characteristics: Digital, Vintage, Optical, and Solid-State. This allows you to emulate different compressor designs for a variety of boutique responses. The Saturation Module is easy to program and adds the harmonic content of five different emulations: Analog, Retro, Tape, Tube, and Warm. ![]() Even gentle settings can add thickness to any voice, where more intense settings can dirty-up the kindest vocal track. The EQ Module is extremely powerful, with up to eight fully parametric bands. ![]() ![]() This is where the spectrum view really shines. ![]() The EQ curve is overlaid against the frequency spectrum, which allows you to visually compare the original and processed signals. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |